Why So Myrtsi? Myyrmäen Taiteiden yö 2024
The Other Side innolla esittää: ONE-DAY STAND -tapahtuman ensimmäisen editio yhteistyössä Catalysti Artist Association -yhdistyksen kanssa Myyrmäen Taiteiden yössä 2024, jonka järjestää Myyrmäki-seura.
Vantaa juhlii tänä vuonna 50 syntymäpäiväänsä, ja Why So Myrtsi saavuttaa ensimmäisen täyden vuosikymmenen merkkipaalun. Tätä juhlistaakseen The Other Side ja Catalysti ry lyöttäytyvät yhteen. Catalysti ry on vuonna 2013 perustettu voittoa tavoittelematon järjestö, joka toimii kulttuurienvälisten, aktivismin ja taiteen rajapinnoilla työskentelevien taiteilijoiden verkostona. Yhteistyön merkitys perustuu Myyrmäen kaupunginosan monikulttuuriseen ympäristöön, Catalysti ry:n ja sen jäsenten kulttuurienvälisyyteen sekä taiteilijoiden ja yleisön väliseen vuorovaikutukseen ja suhteisiin, joita rakennetaan performanssitaiteen keinoin.
Tähän tapahtumaan The Other Side valitsi viisi ehdotusta Catalysti-taiteilijoille järjestetystä avoimesta hausta. Valitut performanssit hyödyntävät osallistavia elementtejä ja vuorovaikuttavat yleisön kanssa julkisissa tiloissa. Taiteilijat luovat immersiivisiä ympäristöjä, joissa sosiopoliittiset ongelmat artikuloidaan leikkisän ja radikaalin läsnäolon sekä vaikuttavan toiminnan ja eleiden kautta.
Lue lisää Why So Myrtsi: Myyrmäen taiteiden yö -tapahtumasta täällä:
https://www.facebook.com/events/470275838737856
Juliste: Parsa Kamehkhosh


One-Day Stand No.1










TianRui Pan
Tianrui (b.2000, Yunnan, China) is an artist currently based in Prague and Finland. She mainly works with performances, texts, images, and installations based on her embodiment experiences of constant relocating. She is often inspired by ambiguities within naming, language, history, and children's plays. The dynamics between the personal narratives and social intervention is a crucial drive of her art practice.
Dash Che & Suvi Tuominen
Mean Time Between Failures (MTBF) is a choreographic entity founded in the year 2019 by Dash Che and Suvi Tuominen. They have created performances for different dance and performance art institutions such as Zodiak - Center for New Dance, Tanzhaus Zürich residency, Contemporary Art Space Kutomo Turku, Santo Tirso Museum of Contemporary Sculpture, and festivals such as New Performance Turku Biennale, Riga Performance Art festival, MIR - performance festival Athens and Pas Si Fragile - performance festival Brussels. Between 2023-2025 MTBF works with the support of the Kone Foundation. MTBF works at the intersection of dance, performance art, and conceptual art. MTBF creates works that bring humor, provocation, and physicality together.
Maria Gat’sal
Maria Ga'tsal is a Mexican-Spanish teaching artist based in Helsinki, Finland, specializing in contemporary dance, dance improvisation, and acting. With a BFA in acting and extensive experience in both acting and dance, she has a thorough understanding of stagecraft and performance. Her dance education includes training in contemporary, modern dance, jazz, and Urban Dance styles, enriched by self-learning and exploration. Maria believes strongly in art’s ability to unite people and considers it fundamental to the health and prosperity of any society.
Chih-Tung Lin
Chih-Tung Lin (she/they) is a curator and artist based in Helsinki, Finland, originally from Taiwan. They express through curating, illustration, performance art, and a blend of these mediums. They are interested in interdisciplinary qualities and playfulness in their practice and aim to blur the boundaries between their roles as a curator and an artist. They work with topics related to social relations, societal roles, and the artist-curator relationship. Lin holds a MFA in Praxis Exhibition Studies Program at University of the Arts Helsinki.
Tangmo Ladapha Sophonkunkit
Tangmo Ladapha S. is a Thai performance artist and producer working between Bangkok and Helsinki. She is continuously researching and processing more ways to work with memories as a medium in her performance. Her practice in memory art revolves around exploring personal and social memories in performance with the aim of re-remembering the past and reimagining possible futures. In these regards, she often utilizes shared physical and emotional spaces alongside her audience to act as a vehicle for conjuring up memories and discovering what lies behind and beyond them.